
Priscilla would have to remain in London and so would I.” (125-126) Hard obligation to remained with me, a palpable thorn in Pearson, “for this time”, sees his moral obligations to his sister. Happen later in the book, but for now I want to focus on the clarity with which Section goes on for a bit longer and foreshadows a lot of what is going to That human beings can acquire a small area of unquestioned obligations may be one of the few things that saves them” (109) Of course I ‘put myself out’ for Priscilla, and did it without any hesitation, because one has to do what one has to do. I felt so unhappy and ashamed because I had not brought away even the few little pieces of consolation which she had, really with such humility, wanted Poor Priscilla, I thought, poor poor Priscila, with a pity for which I deserved no credit since I was simply feeling sorry for myself.

“I saw, for this time, with perfect clarity how unjust and how unkind life had been to my sister. Pearson is morally outraged at the injustice of it all, as he relates: Pearson learns from her husband that he has fallen in love with a much younger woman, and by the way isn’t going to give Priscilla her stuff back. Priscilla is perpetually sick with sadness and simultaneously crying for death and clinging on to the hope that she will at least get her stuff back from her husband. This is all disturbing to Pearson, but the only person who provides him with what he knows is an obligation to stay is his sister Priscilla, who has been pushed away by her husband. Pearson’s ex-wife Christian comes back to the city and Pearson has to witness how she starts a relation with Arnold, whose lonely and unhappy wife Rachel is drawn in turn to Pearson.

Art comes out of endless restraint and silence.’ / ‘If the silence is endless there isn’t any art!’” (50)īut Pearson will not in fact leave London to write his book a flurry of people pulling on him makes sure of that. This high-minded view of art and the artist stands in contrast to that of his friend and rival Arnold, a successful writer whose success Pearson resents and with whom he often clashes. He sees himself as a puritan art is not something produced lightly and easily, but is the fruit of discipline and ascetic preparation. In the first part of The Black Prince, Bradley Pearson wants to get away from London to start writing the great work of art he believes he has in himself. I think I can do just that, it won’t be too much for me. “Bradley, I want you to go with me to the lawyer, and I want you to go with me to the hairdresser, I must get my hair rinsed.
